Essays

• “The Pandemic May Change How We Treat Low-Income Parents” The New York Times

• “Labyrinth and the Dark Heart of Childhood" The Atlantic 

• “On Poverty" The Kenyon Review

• “Eating Goldenrod Like My Father” ELLE

• “I Wrote a Road Trip Through the Apocalypse” The Rumpus

• “A Single Parent in a Pandemic” The Washington Post

• “When a White Man Breaks the Law” Crime Reads

• “You Talk Real Good” Longreads

• “Class Dismissed” Longreads

• “In a Pandemic, There’s No Place I’d Rather be than Here in Appalachia” The Guardian

• “Partially Deaf, I Write to Be Heard” Catapult

• “Don’t Just Laugh at Hillbilly Elegy—its Damaging Myths Still Need to be Countered” Salon

• “A Feminist Reckoning for Buffy” Salon

• “Graffiti Taught Me Grit" Lenny Letter

• “Art Matters, Even When You're Poor" The Nation

• “Advice for Women with Book Advances” Publishers Weekly
  “The Reptile King" Defunct

• “The Reformatory" The Museum of Americana

• “The Mothman Economy" The Awl

Poems

• “After the Party" and “School" Poetry

• “The Shed” Crazyhorse

• “When I Taught Mary to Eat Avocado" Verse Daily

• “The Rescue" New England Review (also on Verse Daily)

• “The Experiment” and “Safe House” The Adroit Journal

• “Son” “Firewheel” and “Crow Friends” Superstition Review

• “If You are a Survivor"and “Rescue Me Ohio" Hobart

• “Suet" The Nation

• “Everything is an Instrument" and “Tiresias" Blackbird

• “Desire Lines" "Afterward" and "Dear Weather" The Rumpus

• "Service" and "Sprawl" Thrush

• "Buying Emergency Contraception in Elkhart" Glass Poetry Journal

• "Rembrandt's Mistress" The Beloit Poetry Journal

• "Child Bride" and "Marriage" Valparaiso Poetry Review 

• "Banned for Life from the Artists' Colony" Triquarterly Review

• “Gossip" Agni

• “Bug" Linebreak

Short Stories

• “What You Owe” SmokeLong Quarterly

• “The Animal Heart” Hermine

• “Queen" Grimoire